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Showreel of my best VFX, Compositing, 3D and Motion Graphic works, until Winter 2014. Feature films – The Expendables 3 (Worldwide FX): deep compositing of 3D elements, set extension, tracking, keying and cleanup; look dev for the heat/night visor and hud; tracking and compositing of 2D and 3D elements; face replacement using 3D model with projected animated textures. — Only Lovers Left Alive (Pixomondo): dead man replace through 1300 frames using projection tecniques; sequence compositing with screen replacements in various devices. – After Earth (Pixomondo): sequence compositing and keying of foreground and background people, gizmo creation (to create custom zdepth and shadows passess using the default Nuke scanline render) – One thousand and one nights (Toboga): sequences compositing, tracking, keying and cleanup. TV Series – Constantine (Important Looking Pirates) 00:40 smoke compositing and tracking from 2D elements, CG heads integration; bugs and swarm compositing and integration adding warping and shadows on the skin. Commercials – Vision Express (Fieldtrip): opening shot compositing, look development, modelling and camera animation, created using multiple footages projected on geometry. – Bet365 (Absolute Post): backgrounds compositing and hologram head look development and animation trough 3D and 2D processes. – Direct Line (Fieldtrip): sequences compositing through tracking, cleanup and CG integration; inside chimeny look development; headphones modeling, texturing, rendering and compositing. – Mercedes Benz Assist (Pixomondo): 2D and 3D supervision, modeling, shading and compositing. – BMW 5 Series (Pixomondo): camera animations and cars rig, to use in the pipeline for automated render of all the versions of the cars. – Gillette FC (Rumblefish): compositing, keying, rotoscoping, tracking and cleanup; modeling, texturing, shading and rig of various stadium elements. – Signal (Toboga): rotoscoping and keying. – Go Ahead (Fieldtrip): packaging replacement using 2D techniques. – Smyths (Unit Media): compositing, tracking and sky replacement. – Mr Green (Smoke & Mirrors): tracking and cleanup setup for the footages done with motion control. – Bubbles (Virtual Reality & Multi Media Park): lead 2D and 3D artist, dynamics and compositing. – Canary Wharf (Escape Studios): foreground modeling, texturing, shading and lighting using Atomkraft, Mari and Nuke; background done by camera projection; compositing and grading. Music Video – Something Really Bad (Partizan): compositing of the elements that were prjected on set. On set VFX assistance and advisor; compositor in the post production process. Motion Graphics – diQua (IUAV): motion graphics animations look dev and realization, tracking, editing and final grade. – Around (PoliMi): motion graphics animations setup and opening scene look dev. – Climate Changes (PoliMi): motion graphics animations. – Lycia (Rumblefish): motion graphics and camera animations, graphics creation and look dev. – Tiger (Boumaka): motion graphics animations and particles in Maya. Music: Lust For Life, Iggy Pop Programs used: Maya, Mudbox, MatchMover, PFTrack, Nuke, Mari, Atomkraft, Photoshop, UVLayout, Mocha, After Effects, Premiere Pro |
